In research funded by Arts Council England, the Centre for Literacy in Primary Education published a report which showed that only 1% of children’s books feature protagonists who are BAME. This statistic really grabbed people’s attention on Twitter and became a national headline, but for those who were already familiar with this problem, the research did not come as a surprise.
Enter Knights Of, a publishing company founded by Aimée Felone and David Stevens. They have spent the past year championing change within children’s publishing, focusing on books which are diverse and inclusive. To celebrate their 1st birthday they set up a pop-up shop in Brixton, using the hashtag #ReadTheOnePercent on social media. It was a small space which they filled with books, books and more books. And what a shop it was. The white furniture and walls allowed the colourful book covers to pop. When I walked in, I didn’t know where to look first. Continue reading “Kids Need to See Themselves in Books – #ReadtheOnePercent”
One of my pet hates is when books/plays written by BAME writers are perceived or labelled as culturally ‘niche’. Why do people say that? It’s a way of othering and distancing works by writers of colour for being ‘different’. It’s alienating for BAME writers and readers/audience members when it’s difficult for minority writers to get a platform and challenge the status quo in the first place. I think that it’s necessary to deconstruct this idea that we are ‘niche’, and with that in mind, here are two products of the British East Asian theatrical community which I have really enjoyed reading recently. Foreign Goods really got me thinking: why is this the first British East Asian collection of theatrical writing? Because it’s SO good. I hope that there’s another! Continue reading “British East Asian Theatre: “I’m not a graceful lotus flower.””
Apologies for the radio silence – uni life has been chaotically consuming recently, but I’m glad to be back! I was recently interviewed by Halu Halo, an awesome project on Instagram which aims to act as a platform for mixed race people’s experiences and voices to be heard. Check out my feature below and then give them a follow! (Credits: @halu_halo and @thenomadiclondoner) Continue reading “Featured on Halu Halo”
I was a member of the ‘mob’ audience of Nicholas Hytner’s stunning production of Julius Caesar (2018) at the Bridge Theatre, and aside from being completely blown away by the production itself and the incredible level of talent from Ben Whishaw, Michelle Farly, and the whole cast, there was one person whom I found so personally inspiring.
When Wendy Kweh graced the stage in all her elegance, I paused for breath. In that space, seeing an incredibly talented actor of Asian ethnicity onstage as a distraught Calpurnia, a realisation hit me like a wave: in all my years of growing up and going to the theatre, as far as I can recall, I had never seen an Asian actor in a professional Shakespeare play in the UK before. Moreover, I had not even realised this fact until I saw Kweh onstage, standing in front of me. I had subconsciously accepted that it did not happen – even to the extent that I had not consciously thought about it at all. Continue reading “I Wish I Had Seen Wendy Kweh Play Calpurnia When I Was a Kid”