Hello, how are you? I’m really enjoying that the sun has come out for spring, even if I am writing this whilst sat in a cafe wearing a hat and scarf for comfort (I would appreciate it if the sun made it warm as well as sunny, but I guess we can’t have it all). Luckily I have a few books to keep me warm (emotionally… they’re not that great as blankets). I’m reading a variety of genres at the moment: graphic novels, YA, poetry and literary fiction. I’ve also joined a bookclub for the first time. Plus, as I was writing this blog post in a café a doggo came and sat next to me so obviously I’ve had to include a few pictures of him for fun. You’re welcome! Continue reading “Shelfie: Hello, Spring 2019”
One of my pet hates is when books/plays written by BAME writers are perceived or labelled as culturally ‘niche’. Why do people say that? It’s a way of othering and distancing works by writers of colour for being ‘different’. It’s alienating for BAME writers and readers/audience members when it’s difficult for minority writers to get a platform and challenge the status quo in the first place. I think that it’s necessary to deconstruct this idea that we are ‘niche’, and with that in mind, here are two products of the British East Asian theatrical community which I have really enjoyed reading recently. Foreign Goods really got me thinking: why is this the first British East Asian collection of theatrical writing? Because it’s SO good. I hope that there’s another! Continue reading “British East Asian Theatre: “I’m not a graceful lotus flower.””
It’s definitely heating up for summer right now (I AM MELTING as I write this) and I’m so excited to spend my time in the sun crossing titles off my summer reading list. Before that, though, here’s a quick round-up of some of the books which I’ve really enjoyed reading in 2018 so far. Continue reading “Mid-year Round-up: Favourite Encounters So Far”
I first encountered the theatre company Graeae when they came to talk to the KCL Cultural Institute last Autumn, so I was extremely excited to receive this beautiful copy in the post, very kindly sent to me by Oberon Books. We’ve had gorgeously warm weather recently, and I have loved soaking up the Graeae rays in the sunshine.
Graeae is a force for change in world-class theatre, boldly placing D/deaf and disabled actors centre stage and challenging preconceptions.
Reasons to be Graeae is a collection of stories which track the history of the company (established in 1980) as well as offering insight into what makes them tick. It’s a tribute to the fact that their passion for diversity, access, and representation has been hugely influential to the theatre industry. The company’s unusual name has a memorable story behind it – pronounced ‘grey-eye’, it is from the Ancient Greek myth of the three sisters who shared one eye and one tooth between them. As a result, they are extra entrepreneurial and clever. They’re said to have inspired Shakespeare’s three witches of Macbeth, so it has theatrical roots, too!
I’ve always been interested in dramaturgy and I knew that I was going to really enjoy Reasons to be Graeae because I had already heard about how cool they are as a company, but I was not prepared for how moved I would be by this fascinating and dense collection of stories. Warning: this is not dry, boringly academic dramaturgy. This is stuff that will make you feel teary on the tube and laugh in the library. It was a real joy to read. Continue reading “Reasons to be Graeae on a Sunny Day in May”
During the week of International Women’s Day, I took a trip to Shoreditch to visit Penguin’s ‘Like a Woman’ pop-up bookshop, which was stocked with women authors to celebrate #IWD2018.
Whilst perusing the beautifully curated bookshelves, I came across a true gem, Loop of Jade (2015) by Sarah Howe. I’ve been reading a lot of novels recently, and I was in need of a poetry-fix, so this wonderful collection really caught my eye. As a winner of the T. S. Eliot Prize in 2015, I knew that I was in for a treat. Added to that, all of my favourite things were mentioned on the blurb: ‘an enthralling exploration of self and place, migration and inheritance’. It did not disappoint, and I’ll take you through some of my favourite moments in the collection here.