In truth my relationship with Japan, above all else, is defined by nostalgia. However stimulated I may be by ponderings on the psychological and philosophical connotations of our British-Japanese biculturalism – as Naomi and I like to explore on Thinking Japlish – my emotional interaction with Japan is nostalgic; it is why I love it, it is why it’s the only place I ever really want to go.
Nostalgia, though it is perhaps the most enigmatic emotion of all, is also one of the most distinctive and compelling. Whilst it can never be consciously summoned and only an external trigger can bring it out from your subconscious, no one could mistake that cocktail of joy, yearning and regret it evokes. It is a particularly apt emotion to explore in the context of Japan when so much of Japanese art is pre-occupied with it – just think of any Hayao Miyazaki film; and consider how much more common a word ‘natsukashii’ is than ‘nostalgic’.